Out of concern for the environment, out of love for architecture… – about this year’s winners of the Stefan Kuryłowicz Foundation competitions

As every year, our programmes – Theory Competition and Practical Scholarship – attracted a number of creative and courageous architects eager to enrich the architectural debate by approaching important contemporary topics and values in a fresh and unconventional manner. Although the themes of the competition entries remained diverse, deep concern for the increasingly degraded environment clearly stood out in this year’s edition.

The Jury of the THEORY Competition, including Ewa P. Porębska, Agnieszka Jacobson-Cielecka, Grzegorz Piątek, Jacek Purchla, Bogna Świątkowska, Marta A. Urbańska and Piotr Sarzyński, awarded the main prize to Marcin Kitala and Zygmunt Maniaczyk – the authors of the text Extra Muros, which presents the vision of sustainable tourism in relation to information culture. “EXTRA MUROS raises the very topical issue of tourism, which until a year ago was one of the main developmental factors for as well as a threat to our cities. The global crisis – the pandemic – has put us in a Socratic situation, so to speak: we know that we know nothing about the future. However, the authors made an effort to diagnose the state of tourism before the catastrophe, to describe the status quo, and to make an attempt at foresight. They postulate a revival of tourism supported by online information, virtual reality, and exploration of our local surroundings to balance the need for freedom with responsibility for the environment. Besides its intriguing theme, the work has one more great advantage: somewhat abstract, charming illustrations. It also has a beautiful conclusion: “By generating a microcosm driven by human dreams, we lay the groundwork for the emergence of the multiverse – a reality that draws on all richness and respects all beauty.”- this is how the Jury justified their verdict.

This year, the THEORY Jury also awarded two distinctions: the First Degree Distinction for the work “Modernist Avant-Garde towards the Culture of Capitalism, as an Inspiration for Shaping the Vision of the City of the Future” by Karolina Szczygieł, alongside the Second Degree distinction for the text “How women teach us space…” by Mikołaj Twardowski.

Meanwhile, the Jury of the PRACTICE Scholarship, which included Dorota Szlachcic, Jakub Wacławek, Aleksandra Wasilkowska, Maciej Frąckowiak, Konrad Grabowiecki and Agnieszka Olędzka, selected Sandra Przepiórkowska, the author of the PLASTOPIA project, out of the group of finalists who have earlier been offered a two-month scholarship.  The winner, who will now begin her next scholarship lasting six months, will be working on the development of her project with the support of the Jury. The Jury justified their choice as follows:  “What we appreciate in this idea is what we love in architecture today – confirmation that great design can be about reflection on the material and its processing technology. We appreciate the fact that the discussions about plastic in recent years have not discouraged the author, and – instead of trying to force innovation – she has been encouraged to consistently search for a way to actually work with it. The project is therefore sensitive and at the same time modest; it deals with big topics, but at the same time it fits in the palm of your hand. The project interweaves chemical and social processes in such an important public space as Katowice, which calls for socialisation. The presented timetable also reassures us that the project is likely to develop substantially in the coming months, especially in terms of cooperation with stakeholders and local communities. Therefore, we can educate not only inhabitants but also architects.”

This year our Foundation has organised the eighth edition of the Theory Competition and offered the PRACTICE Scholarship for the sixth time. The outcomes – the book launch and the complete project – will be revealed as soon as this autumn.

„We aim to support innovative thinking, ambitious young people who come forward with bold and at the same time socially responsible architectural work. We promote architects who are attentive observers of the contemporary reality and who adapt their work to the needs of users,” says Prof. Ewa Kuryłowicz, Chairman of the Board of the Stefan Kuryłowicz Foundation.

„DARING AND REFRESHING”. WIEŚLAND (Eng. COUNTRYLAND) WINS DOUBLE AT THE STEFAN KURYŁOWICZ FOUNDATION AWARDS

Can the pastoral idyll inspire modern architectural design? Can an audacious manifesto envisaging green pastures and a rural mill in the very heart of the city translate into an actual urban architectural structure?

It turns out to be plausible, as evidenced by the competition entrants who won double awards in the 2019 edition of our Foundation’s programmes. On March 26, 2020, they became the winners of both the THEORY Contest and the PRACTICE Scholarship Scheme.

Innovative architectural ideas, ingenious as they may be, are likely to inhabit the realm of unrealised dreams eternally if deprived of the practical angle. This year’s laureates of the Stefan Kuryłowicz Foundation programmes, an architect – Jan Scheliga and a sociologist and social anthropologist – Krzysztof Janas, went beyond the theoretical vision of a rural theme park when they entered the THEORY Contest. In parallel, they also submitted their architectural design and concept to win the PRACTICE Scholarship.

The THEORY Contest Jury Panel, including Ewa P. Porębska, Agnieszka Jacobson-Cielecka, Grzegorz Piątek, Jacek Purchla, Bogna Świątkowska, Marta A. Urbańska and Piotr Sarzyński, awarded the main prize to Jan Szeliga and Krzysztof Janas – the authors of „Wieśland, or an urban fantasy under the thatched roof”.

The entry describes the creation of the leisure infrastructure, blended into the rural scenery, in the vicinity of Warsaw’s National Stadium. The authors conjure up a vision of green space – complete with inns and a rural mill – where park visitors can actively participate in a pastoral idyll performance, one of a kind.  „In our work, we intended to signal the problem of the excessively accelerated pace of urban life with no available options to flee the urban race. This is how we arrived at the idea of creating a rural park in the city centre.”, says Krzysztof Janas. „Wieśland(…)”  was highly acclaimed by the Jury for its daring take on the link between the countryside and the metropolis. It was also recognised and praised for its attempt to incorporate architecture into the challenging socio-cultural patterns, which was further enhanced by the passion-infused and humourous language of description. The awarded text, with the breakthrough solutions described in impressive detail, will be published by our Foundation – in Polish and English – in the autumn of 2020.

Besides, the Jury also gave special accolades to two other entries: Mikołaj Twardowski’s „Zamieszkanie w niepamięci” (Eng. Inhabiting the non-memory) touches upon the vital topic of elapsing time and the ever-expanding socio-medical issue of dementia, including the Alzheimer’s disease, in the context of the architecture and our surroundings. Marta Wróblewska’s „Średniowieczne gender. Beginaż jako fenomen architektury mieszkaniowej” (Eng. The mediaeval gender. Beguinage a phenomenon of residential architecture.) presents an intriguing analogy between Beguines’ choice of „the third path” (which resulted in the creation of a new architectural form) and the needs of the so-called socially non-normative groups in the contemporary society.

The idea of the rural version of an urban theme park was appreciated both for its theoretical underpinnings and its practical aspects. The results of our Foundation’s  PRACTICE Scholarship Scheme prove that theory and practice should complement each other for the best outcomes. The Jury members, Dorota Szlachcic, Jakub Wacławek, Aleksandra Wasilkowska, Maciej Frąckowiak, Konrad Grabowiecki and Agnieszka Olędzka, awarded the winning prize to one of the three shortlisted entries – Jan Szeliga and Krzysztof Janas’ „Wieśland (Eng. Countryland), or an urban fantasy under the thatched roof.” In the final, the winners competed with Maciej Moszant’s work focussing on reducing the rate of road accidents involving pedestrians and Magdalena Orzeł-Rurańska and Kinga Kwaśny’s „smart” model of urban infrastructure.

The Jury set „Wieśland (…)” apart from other entries for the audacious hybrid of artificial folklore, which entices, fascinates and prompts reflection on the interdependence of the metropolis, nature and environment, alongside the connection between the central and the peripheral.  The convention-juggling design is likely to ignite the debate on the future of urban architecture and the forms of leisure available to city dwellers.

Apart from the scholarship, in the upcoming 6 months, the winners will be offered professional support to develop the design, its budget, timeline and strategic promotional campaign.

This year the Stefan Kuryłowicz Foundation has organised the 7th edition of the THEORY Contest and the 5th edition of the PRACTICE Scholarship Scheme. „We aim to support forward-thinking, innovative, resourceful, ambitious young people, who put forward bold and socially responsible architectural solutions.  We promote the architects who are acute observers of the contemporary reality, able to adjust their work to the needs of users.”, says Professor Ewa Kuryłowicz, The Head of the Board. The participants appreciate the opportunities emerging from the programmes and the prizes offered by the Foundation. „The THEORY Contest and the PRACTICE Scholarship Scheme create a unique socio-architectural platform for discussion, which is absent from implementation-focussed competitions. The programmes create opportunities for multi-dimensional analysis of a socially significant theme.”, says Jan Szeliga, the co-author of „Wieśland(…)” – the double winner of this year’s THEORY and PRACTICE programmes.

The launch of the next edition of both programmes is scheduled for the autumn of 2020, which is soon.

In harmony with nature: Dorte Mandrup’s lecture in Warsaw

  • Innovation and respect for tradition. Artistic vision and respect for local craft.Exploring alternative solutions, and attachment to the wildness of nature.
  • Our guest at the next meeting in the series From Vision to Design will be Dorte Mandrup, a world-renowned architect, founder of the international studio Dorte Mandrup Arkitekter, a designer who brings together elements that are polar opposites.
  • She will deliver her lecture on 18 October, in the fifth edition of the annual series from the Stefan Kuryłowicz Foundation’s series From Vision to Design, co-organised by the Architecture Faculty of Warsaw University of Technology.

Breaking through worn-down patterns. Seeking untrodden paths. Working contrary to convention. This is one page of the architectural lexicon of Dorte Mandrup, a Danish designer, creator of innovative designs, which are often mad and always captivating. The second page comprises deep preparation, reconnaissance of the social and natural conditions of the space and a completely pious approach to detail. A simultaneously rebellious and broad-scale artistic vision bursts forth from her works, along with the need to respect the specific nature of a place, to understand its past and its full potential.

This tangle of the poetic and the prosaic was remarked by the jury of the international design competition for the Icefjord Centre in the UNESCO-protected region of Ilulissat in Greenland. Last year the studio Dorte Mandrup Arkitekter began working there on a new pavilion that is to combine an exhibition space with a place shared among local residents, tourists and climate-change researchers. The design is an homage to the incredible and raw nature of the Sermeq Kujalleq glacier. It fits into the unique atmosphere of this place, balanced at the juncture of nature and culture, telling a story of coexistence by people and an ice-frozen land. To portray the conditions of life there, the studio created the installation CONDITIONS, presented at the Biennale Architettura 2018. Today it can be seen in the Danish Architecture Centre in Copenhagen.

Active dialogue with space, not unilateral subjecting it to humanity, means the Icefjord Centre is the fifth design by Dorte Mandrup Arkitekter chosen for implementation by UNESCO. Other projects under the patronage of this institution include the reconstruction of the Wadden Sea Centre, an exhibition centre in a nature preserve on this broad intertidal zone in the south-eastern part of the North Sea. The design uses a traditional technique, dating back to the Vikings, of covering roofs with reeds. During her lecture in Warsaw, Mandrup will discuss the background of these projects, penetration into the context of a space and building a holistic concept based on analysis of the surroundings.

Dorte Mandrup founded her studio, Dorte Mandrup Arkitekter, in 1999; today it employs more than 70 people. For more than 20 years, this Copenhagen studio, bringing together architects from around the world, has not only developed a unique language of design, but also won recognition both from participants in its projects and from international architectural bodies.

Dorte Mandrup is coming to Warsaw at the invitation of the Stefan Kuryłowicz Foundation and the Architecture Faculty of Warsaw University of Technology. On 18 October at 6 pm she will deliver a lecture titled “Conditions”, part of the series “From vision to design”. The lecture will take place in the Faculty’s building at ul. Koszykowa 55.

Free admission (limited number of seats).

The event will be accompanied by the launch of the book Terrain vague jako przestrzenie kulturotwórcze (Terrain Vague as a culture-creating space), published by the Stefan Kuryłowicz Foundation as part of the series Architecture of culture – culture of architecture; the authors, architects Małgorzata Neumann and Zofia Zuchowicz, won the Foundation’s Theory 2018 competition. There will also be a presentation of the final project, Oddział Warszawa (Convalescent Ward Warsaw) by the architect Agnieszka Dąbek, winner of the foundation’s Practice 2018 fellowship.

Visitors to Poland in the From Vision to Design lecture series include Nathalie de Vries (2015, MVRDV), Amanda Levete (2016, AL_A studio), Jette Hopp (2017, Snøhetta studio) and Odile Decq (2018, studio Odile Decq). 

PARTNERS
Danish Cultural Institute, Warbud, Geberit, Schindler, Hormann, LC Corp, Chamber of Polish Architects

ORGANISERS
Stefan Kuryłowicz Foundation
Architecture Faculty, Warsaw University of Technology

MEDIA RELATIONS
SZUSTOW. Kultura i Komunikacja

MEDIA PATRONS
Architektura-Murator, Builder, Notes Na 6 Tygodni, ARCH, Zawód: Architekt

Warsaw christens Stefan Kuryłowicz Square to mark architect’s 70th birth anniversary

On 29 March a square dedicated to architect Stefan Kuryłowicz, at ulica Przyokopowa 33 in Warsaw, will be officially renamed after him, under City Council resolution No. LXVI/1830/2018. Warsaw Mayor Rafał Trzaskowski is the Honorary Patron of the event. That same day, the Zodiak Warsaw Architecture Pavilion will host the finale of the Theory and Practice 2018 architectural competitions, organised by the Stefan Kuryłowicz Foundation. Entrance to both events is open.

Kuryłowicz is one of the most influential Polish architects of the turn of the millennium. His legacy comprises several dozen projects, which have changed the face of Warsaw and other cities. His creations include the National Music Forum in Wrocław, the Municipal Stadium in Białystok, the University of Warsaw Physics Department, the Gdańsk Hilton Hotel and the Modlin Airport near Warsaw. Kuryłowicz’s great educational achievements and the studio he founded, Kuryłowicz & Associates, continue to shape the architectural landscape of Warsaw and all of Poland.
On 29 March at 3 pm at ul. Przyokopowa 33 in Warsaw, to mark the 70th birth anniversary of the architect, who died in 2011, the ceremonial opening of Stefan Kuryłowicz Square will be held. The event will be held under the honorary patronage of the Mayor of Warsaw.

Kuryłowicz believed that in the profession of architecture, dreams and imagination are just as important as a sense of responsibility. This conviction has accompanied the creation of the foundation that bears his name, whose goal is to support the dreams and imaginations of talented young architects, and to build that sense of professional responsibility together with them. This goal is achieved through two competition programmes – Theory and Practice, which promote the best critical texts and relationships between architecture and culture (Theory) and the best ideas for improving the quality of a public space (Practice). The finale of both programmes will be held at 5 pm in the Zodiak pavilion at pasaż Stefana Wiecheckiego “Wiecha” 4 in Warsaw.

Ceremonial opening of Stefan Kuryłowicz Square
29 March (Friday), 3 pm
ul. Przyokopowa 33 (Wola Center), Warsaw